Evan Johnson John Tilbury To listen to dust book

To listen to dust book is to listen to silence

I sat down one day with the director's little baby Iwo on my lap

piano and violin

James loaned me the Tzadik recording of Patterns in a Chromatic Field by Morton Feldman

too (especially with the parts and notation and design of the whole score)

Evan Johnson John Tilbury To listen to dust book1 interlude 8: 50 2 several canons 9: 20 3 in modo parantetico 4: 21 4 interlude (double) 10: 01 5 in modo parentetico 5: 28 6 interlude (dust) 11: 10 Interview with Evan Johnson What is the background to the piece? Why viola d'amore, and it's a great title but where does it come from? The title is a bit unusual, for me, in that most of my titles are little snippets of reference to external thingsworks of art, other (usually medieval ish) music,