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Included in the exhibition
along with installation photography and images of the drawings in progress in the artist’s studio
which were conceived as a single coherent group and displayed for the first time at the Venice Biennale in 2007
Traces remain of the idiosyncrasies of the original model furniture
Essays by Yve-Alain Bois and Ben Eastham consider the symbolism and correspondences of the series
Alex Israel: Self-Portrait (Blue Face) Maya Ruiz-Picasso Included in the exhibitionIn Self Portrait (Blue Face) (2017), a print produced by Mixografia, Alex Israel depicts his own sunglasses clad face in profile, replacing his features with smoothly gradated color fields. Editioned in six different color combinations, Self Portrait features a white outline of the artists head in raised relief with a hollow, contoured interior. Making use of a 1980s style palette that juxtaposes neon and pastel hues, Israel evokes the distinctive
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