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confounding expectations of scale and vantage point
who in his 1959 “Lecture on Nothing” famously declared
alongside installation photography
director of the Frick Collection
The extensive volume includes essays by Richardson
Albert Oehlen: Elevator Paintings: Trees Alexander Nemerov confounding expectations of scale andThis book was published on the occasion of the exhibition Albert Oehlen: Elevator Paintings: Trees at Gagosian, West 21st Street, New York. It brings together two groups of works: the Tree Paintings, permutations of an ongoing series that Oehlen began more than thirty years ago, which in this iteration are distinguished by a palette limited to predominantly black and red, and the Elevator Paintings, allover polychromatic compositions in which the
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