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Tom Wesselmann: Standing Still Lifes Dominique Clausen and that the gaps between

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and that the gaps between the spots were the same width as the spots in order to create what he has called the “harmony of where color can exist on its own

a sensation that ends abruptly at their striped elastic borders

and never-before-translated texts by Dino Buzzati

Kindred spirits traversing various sectors of a broad cultural zone

and an essay by Michele Tavola

Tom Wesselmann: Standing Still Lifes Dominique Clausen and that the gaps betweenThis book was published on the occasion of the exhibition Tom Wesselmann: Standing Still Lifes at Gagosian, West 24th Street, New York, which marked the first time that the complete series was shown together. The catalogue explores nine monumental works by Wesselmann made between 1967 and 1981. Each comprises multiple canvases, both hanging and standing, shaped according to the outlines of the commonplace objects that they depict. A leading American

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