Sign of the Cross hypha-hq This painting was based on

This painting was based on a very intricate shadow cast by a wrought iron staircase I saw in a Hitchcock film

The work is gloss aluminium with airbrush and spray guns with some metallic and sparkling paints which shimmer and shift

Rather than delivering a fixed image of the self

drips with contradiction and longing

archival fragments

Sign of the Cross hypha-hq This painting was based onFocusing on the performance of masculinity in relation to football. Perpetual and performed masculine victimhood in the age of podcast microphones and conservative views of immigration creates insecure men afraid of invisible enemies migrants, court cases, women.